Ljepota lažnog sjaja
Exhibition
"Fool`s Gold Beauty" - exhibition of forgeries from the Police Museum collection

The purpose of the exibition of the forgeries from the collection of the Police Museum conveniently entitlet Fool`s Gold Beauty is to warn about the unscrupulousness of the black market intentionally aimed at deceiving well-intentioned, yet naive and inexpert art buyers.

free entrance
L4 — Multifunctional Hall 4
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Dubrovnik, A Scarred City
„Dubrovnik, A Scarred City“ Exhibition

Exhibition 'Dubrovnik, A Scarred City: The Deconstruction and Restoration of Dubrovnik 1991-2000' was opened on October 1st 2019 in the 2nd hall of the renovated Lazareti Complex as part of a program to commemorate the 28th anniversary of the start of the attack on Dubrovnik.

20 kn
L2 — Multifunctional Hall 2
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Linđovi koncerti
Concert
Linđo Concert

Every Tuesday and Friday at 21:30 h, from August 25th on, enjoy Linđo Concerts in Lazareti.

120 kn
L6 — Linđo
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Mirko Ilić: The Second Before the Catastrophe – Comic Strip, Illustration and Design
Exhibition
Mirko Ilić: The Second Before the Catastrophe – Comic Strip, Illustration and Design

With the exhibition Mirko Ilić: The Second Before the Catasrophe – Comic Strip, Illustration and Design curated by Marko Golub & Dejan Kršić Dubrovnik public will have a chance to find out why is Mirko Ilić after more than four decades still one of the most interesting graphic designers and illustrators and why he is a global star.

slobodan ulaz /free entrance
L4 — Multifunctional Hall 4
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Alternativne biografije

Šišmundo Menčetić Vlahović

(Dubrovnik, 27 February 1457 – Dubrovnik, July 1527) Šišmundo (Šiško) Menčetić Vlahović was a Dubrovnik patrician who had an extremely debauched youth. He took part in many urban street incidents, he harassed women and his name was frequently mentioned in court files in the Dubrovnik archive. He also answered in court for his (mis)deeds. When he was forty years old he got married, changed his behaviour and, as a patrician, served the Dubrovnik Republic in many capacities.

He was elected Rector twice. He and both of his sons died during the plague epidemic of 1527. Together with his younger contemporary, the Petrarchist poet and priest Džore Držić, he was one of the oldest renowned Croatian poets of secular themes. Besides poems written in the spirit of Petrarchism, there are also those with elements of medieval poetry, visibly influenced by Provencal troubadours and German minnesänger. In his love poems, Menčetić described his beloved, the happiness of a lover whose wishes have been granted, making frequent use of acrostics with the names of women that the poems were dedicated to. His large lyrical oeuvre also contains several satirical and moral-reflexive poems. In the non-romantic part of the canzoniere, he turned towards the spiritual; 11 religious poems are dedicated to Jesus and one to the Virgin May – Uzmožna gospođe, tko milos ku žudi. The influence of Petrarca is obvious. In some of his poems, Šišmundo wrote about universal themes (poverty – wealth, love – hate). Most of his poems have a dialogue or appellative form. He also wrote longer poems with narrative elements, and his poetic lyrical subject is characterized by sensuality. An immediate, vigorous, lascivious and eroticized expression, with a pronounced theme of requited love differentiates him from other Petrarchist poets. Although, as all Petrarchists, he celebrated the ideal of female beauty, he also wrote satirical misogynist poems with elements of resignation, like for example, the poem Mrzim na žene. His best-known poem, written in dodecasyllabic couplets – Blaženi čas i hip, actually paraphrases Petrarch’s LXI sonnet (Blest be the day, and blest be the month and year), and with its pronounced sensuality departs from its poetic model, its elegiac tone is transformed into dithyrambic, and the erotic perception of the beloved assumes central position. He is the most represented poet in Ranjina’s Miscellany, which contains more than five hundred poems by Menčetić.